New Sketches

Yesterday was the first time in a long while that when I sat down to do some sketching, it came easily.  Usually when I walk into my studio (knowing how important sketching is to a studio practice) I block out thirty minutes to an hour to do some sketching.  Honestly, it is always the post painful thing for me to do- silly things happen and I never feel it truly pay off.  However, yesterday was a great day.    An hour turned into six hours too quickly. It was fun.  It was easy. AND I really like the outcome.  All the new sketches are over on my website for you guys to see as well as uploaded sketchbook pages.

For now, I am off to try again. 

Cory Imig

I recently came across Cory Imig's work after a professor told me that I should look her up during one of my recent critiques.  The last few weeks I have found myself coming back to her website over and over again because I think that it is just genius what she has done with documenting people's stories and how she deals with time-based ideas.

For her documentation of time, she has installed all of these minimalist-esque prop situations up in a small space.  Trapping balloons under various material weights, she tracks the process of the balloon's increasing compression.

All to say, I really like you Cory.  You can check out her website here.

For her documentation of people's stories she sent letters out to other Imigs who live in the United States and asked them to send a letter back to her telling a little bit about themselves.  I am always amazed when you reach out to people, how much they will gladly and sincerely share.  At the end, she honored these stories and people and had a whole installation/exhibition and invited all of the Imigs!

WWD: SCADstyle Commission

There's an article online at Women's Wear Daily about the SCADstyle event that featured my work seen below.  The work consisted of six 72" x 72" handwoven tablecloths with planted life growing from below.  You can read the article here. 

Untitled (Structure that Eats)

Lately, I have been very interested in variations on change and how to subtly depict those changes.  A friend pointed me out to this sculptural piece that is being exhibited through April 21 as part of Ileana Sonnabend: Ambassador for the New at the MoMA.  In Giovanni Anselmo’s Untitled (Structure that Eats) from 1968, a head of lettuce is pinned between two blocks of granite and held together by a copper wire. As the lettuce wilts, one of the blocks begins to fall. 

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[Giovanni Anselmo. Untitled (Structure that Eats). 1968. Granite, copper wire, lettuce, and sawdust. The Sonnabend Collection. Photographs by Talia Kwartler.]